Seems the devil will even stoop to messing with a mere screening of a movie about the birth of Christ. After some fits and starts last night at a local theater -- namely, trouble with the sound system that almost resulted in a "Mystery Science Theater 3000" version of The Nativity Story, complete with someone in the audience creating beating-horse-hoof sound effects -- a group of us from BreakPoint and Prison Fellowship, along with local pastors, educators, and others, watched an unfinished version of this movie about the most sentimentalized story ever told. Only in this version of Luke 1-2 (like The Passion of the Christ and the Titanic, it's impossible for me to give you a spoiler -- psst! at the end of The Passion, guess what? Jesus rises from the dead), the characters are no longer so abstract as those we remember each December. Mary has been taken out of the icon, and Joseph gets more play than the usual -- we see his inner struggle, dealing with cultural expectations of the day, and his faith and obedience, albeit after an angel jostles him from his doubts.
And that is why it's worth it to take a night out with your friends and family this fall and see The Nativity Story, which premieres in theaters on December 1: It will remind you of what we have too often forgotten about the Christmas story -- the "humanity of the holiday," as director Catherine Hardwicke described it in an article by Steve Beard in the December 2006 issue of BreakPoint WorldView. To paraphrase Dickens, it was the worst of times; it was the worst of times for the Jews. In our sugary-sweet notions of the baby in a manger surrounded by sweet lambs and soft mules, angels, gold, frankincense, and myrrh (not sure about those last two, but we think they were really great gifts), we have too often forgotten that, as Bono put it in an interview with Michka Assayas, our Savior was "born in straw poverty, in [excrement] and straw . . . a child . . . Just the poetry . . . Unknowable love, unknowable power, describes itself as the most vulnerable."
Is it a perfect movie? No, but are there any? This one just comes with more pressure because of our reverence for the Word, and Hardwicke was fully aware of that, as was screenwriter Mike Rich. While you can follow along in your Bible during the movie, as Steve Beard notes, to fill in the details we don't get from Matthew and Luke (about personalities, for example), "Rich employed what C. S. Lewis called the 'baptized imagination,' using speculation that is faithful to the spirit of orthodox Christianity, rather than speculation in search of a bizarre tale." (This made for an interesting perspective of the idiosyncrasies of the three wisemen -- on that, I won't spoil it for you.)
If all you have ever seen of the nativity story are Christmas pageants at church or school "with shepherds wearing bathrobes, the three wisemen wearing silk kimonos, and the Virgin Mary lugging around a Cabbage Patch doll," as Steve Beard puts it in his article, it's time to take another look and remember what Jesus was born into in order to take on our burden of sin and usher in His Father's kingdom. He is truly one of us.
As co-producer Wyck Godfrey noted last night, New Line Cinema's The Nativity Story is the first Bible-themed movie to be released by a major Hollywood studio in 50 years (the last being Ben-Hur and The Ten Commandments). Don't want to wait another 50 years? Then fill the theaters this December -- go see The Nativity Story. For schools, churches, and other large groups, the movie's website provides group-sale information. (My 5th-grade daughter saw it, and I recommend parental judgment on the elementary set watching it. At the beginning and end, there are scenes of the slaughter of innocents -- though not graphic -- and looks of pain on the faces of Elizabeth and Mary in labor that will have moms once again thankful for anesthesia. But it should definitely be fine for middle-schoolers and up.) And if you think the movie has some flaws or holes? Great conversation-starter with friends, neighbors, and family. Beats talking about this movie or this one.